For its 20th edition, the Challenge Aramis is taking a new step in the way it tells its story

This year, a photographer and a videographer will be present throughout the weekend to cover the competition, behind-the-scenes moments, sporting highlights and moments of conviviality.

This is a first in this format, designed not only to keep a record of this anniversary edition, but also to build communication materials for the years to come.

Because Aramis is not just a competition. It is a weekend of encounters, emotions, concentration, encouragement, self-improvement and memories.

This is precisely the human and sporting substance that we want to capture more effectively.

A clear mission: telling the event from the inside

The mission entrusted to the photo and video team is clear: to show the intensity of the bouts, the young fencers in action, moments of tension or joy, coaches, volunteers, podiums, prizes and the distinctive highlights of the Challenge Aramis, such as the Tournoi Porthos.

A photographer with a documentary approach

The photo coverage will be handled by Elsana, an independent photographer based in Lyon, specialised in documentary photography in the fields of culture, sport, social action and public initiatives.

Her approach fully matches the spirit we are looking for: favouring natural, lively, unposed images, capable of conveying the atmosphere of an event and the sincerity of the moments experienced.

Beyond podiums and official photos, her eye will help highlight what happens around the pistes: concentration before a bout, an exchange with a coach, the wait for a result, the joy of a team, the presence of families, and the involvement of volunteers.

Max Barlet, a former épée fencer behind the camera

The video coverage will notably be carried out by Max Barlet, 22, a former high-level fencer. He competed in épée for more than fifteen years, winning several national titles along the way.

Now an engineering student, he also devotes himself to his passion for the mountains, mountaineering and filmmaking. He is currently working on a documentary film about climate change in the Écrins mountain range.

His presence has a particular resonance: Max started épée at a very young age and still remembers the Challenge Aramis as one of his first memorable experiences in team competition and on the international stage.

Returning today with a camera, to tell the story of what young fencers are now experiencing in their turn, gives this collaboration a special dimension.

Images for this year, and for the future

This photo and video coverage does not only meet an immediate need. It is part of a broader strategy: to better document the Challenge Aramis, strengthen its visibility, showcase young fencers, thank partners and prepare future editions.

The images produced this year will be used for publications, articles, partner materials, teasers, reports and communication for the next edition.

Above all, they will allow us to tell the Aramis story with greater strength, precision and emotion.

For its 20th anniversary, the Challenge Aramis does not only want to organise a great competition. It also wants to preserve its memory, share it, and inspire the next generations to take part.e

Des images pour cette année, mais aussi pour demain

Cette couverture photo et vidéo ne répond pas seulement à un besoin immédiat. Elle s’inscrit dans une stratégie plus large : mieux documenter le Challenge Aramis, renforcer sa visibilité, valoriser les jeunes tireurs, remercier les partenaires et préparer les futures éditions.

Les images réalisées cette année serviront aux publications, aux articles, aux supports partenaires, aux teasers, aux bilans et à la communication de l’édition suivante.

Elles permettront surtout de raconter Aramis avec plus de force, plus de précision et plus d’émotion.

Pour ses 20 ans, le Challenge Aramis ne veut pas seulement organiser une belle compétition. Il veut aussi en conserver la mémoire, la partager et donner envie aux prochaines générations d’y prendre part.